2021, 5 in x 7 in.
Casein on paper
$100, unframed
I don’t know about you, but I find certain casual moments to be surprisingly charged. A subtle gesture, a moment of relaxation or boredom, becomes a lightning strike that starts a fire in the gazer’s imagination.
Prints available at vsual.co.
2021, 7 in x 5 in.
Casein on paper
$100, unframed
I don’t know about you, but I find certain casual moments to be surprisingly charged. A subtle gesture, a moment of relaxation or boredom, becomes a lightning strike that starts a fire in the gazer’s imagination.
Prints available at vsual.co.
2020, Diptych, 12 in x 16 in; (21 in x 17 in with frame)
Oil on paper
$400
I don’t know about you, but I find certain casual moments to be surprisingly charged. A subtle gesture, a moment of relaxation or boredom, becomes a lightning strike that starts a fire in the gazer’s imagination.
Prints available at vsual.co.
2021, 16 in. x 12 in. (22 in. x 17 in. with frame)
Oil on paper
$200
Western classical art, from ancient Greece through today, is replete with veiled eroticism. While I’m all for suggestion and innuendo, I also like the idea using the classical style but with less coyness.
I left the veil on this one as I like how feeble, or facetious, attempts at decorum enhance the eroticism.
This painting is included in the Doable Guys Vol. 6 anthology. Visit their site to purchase this and other volumes.
Proceeds from Doable Guys go to the national LGBTQ charity GLSEN. GLSEN strives to assure that every member of every school community is valued and respected, regardless of sexual orientation and/or gender identity or expression.
Appearing in the anthology I Like Robots
Available August 2022
There’s always a danger you’ll fall in love with your work. Dr. Simon Galatea, a renowned but deeply embittered, archeologist does just that. When the story opens, he is at work excavating the find of a lifetime: the remnants of what appear to be a genuine alien robot.
Concept sketch of the robot. 16 in x 12 in, watercolor on paper.
Appearing in:
I Like Robots: A Chidrawgo Magazine Graphic Anthology
170+ pages of robot comics, illustrations, and beyond from over 40 indie creators coming at you this fall!
Stay tuned for updated on where to get your hands on some robot action.
2019, 17 in. x 11 in.
Watercolor and ink on paper
$100, unframed
A “thangka” painting using traditional Tibetan Buddhist iconography, but with more modern materials. Thangkas serve a both instructional material and aids to meditation and visualization.
White Tara is the embodiment of universal compassion and wisdom. Meditating on her image helps us unlock those same qualities within ourselves and manifest them in the world around us.
2020, 17 in. x 11 in.
Gouache on paper
A saucy take on certain well-known sidekick. Who’s he waiting for? And what does he have in mind?
To me, the superhero genre has always lent itself to homoerotic takes—usually without much effort. The dynamic duo perhaps more so than most.
2019, 15 in. x 11 in.
Watercolor on paper
Part of a series of highly erotic images exploring the subtle and not so subtle gestures we make during such moments.
It’s as much about what the hands are doing as it is about what they’re holding. Not to mention why and how.
Note: this image has been edited for public display here. The original is considerably more explicit. I think I can rely on you, dear viewer, to fill in the gaps.
2019, 15 in. x 11 in.
Watercolor on paper
Part of a series of highly erotic images exploring the subtle and not so subtle gestures we make during such moments.
It’s as much about what the hands are doing as it is about what they’re holding. Not to mention why and how.
2020, 7 in. x 10 in.
Gouache on paper
Part of a series of paintings inspired by the history and legend of Antinous during the early Roman empire. Surviving statuary is breathtakingly consistent in depictions of his beauty.
Here I explore beauty as a call to both worship and obedience—however hard we might try to resist this tendency. A tiny bit of modern leather imagery mixed with the classical bridges the past and present.
The title of this series in an homage to the spectacular work of scholarship by Royston Lambert.
